In addition to being the "King of the Waltz", Austrian composer Johann Strauss II was also a prolific composer of operettas. Among them, Die Fledermaus (The Bat) is one of his most beloved and influential. Since its premiere in Vienna in 1874, it has become a classic, often performed as a New Year's spectacle by famous opera houses around the world.

This year, the National Centre for the Performing Arts in Beijing will stage a new production of Die Fledermaus between Nov 27 and Dec 1 marking its 150th anniversary, presenting audiences with an immersive audiovisual experience, ingenious stage design, and powerful cast.

According to Zhang Yao, deputy director of the NCPA and general supervisor of the production, it brings together creatives from nine countries, with 200 staff also involved.

"It continues the NCPA's commitment to fostering a global community of performing arts institutions and exploring a collaborative future for world theater," he said during a news conference at the NCPA on Nov 5.

Strauss' composition demonstrates his use of humor and irony, through lively, joyful emotions and boldly incorporates popular dance styles of the time, blending the famous Viennese waltz naturally into the score. The overture to the operetta is a compilation of several of the opera's most beautiful melodies.

French conductor Marc Minkowski is making his first appearance in a Chinese production, and international vocalists, including baritone Markus Werba, baritone Zhou Zhengzhong, soprano Jacquelyn Wagner, and soprano Song Yuanming, will be part of the performances.

The aria Mein Herr Marquis (Laughing Song) sung by the character of Adele, the maid, is regarded as a virtuoso showpiece, and the opera features many other notable musical moments, including the Czardas, Thunder and Lightning Polka, as well as duets, choruses, and dances that are captivating from start to finish. Sopranos Samantha Gaul and Qin Kanru will alternate in playing the role of Adele.